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THE MANY ROLES OF
THE VIOLA
In the past, the viola carried
an un-deserved stigma of being the instrument suited to those players who
were not particularly good violinists. Nowadays this stigma has disappeared,
and music for viola can be just as demanding as that for violin, with many
works having been written featuring solo viola (e.g. Telemann and Walton
have written concertos for the instrument, and Berlioz's Harold in Italy
is a viola concerto in everything but name).
As well as being a fascinating
instrument in its own right (e.g. Bach's Sonatas and Partitas for solo
violin have been transcribed for viola, giving these works a completely
different favour), the viola also plays an indispensable part in string
quartet, string ensemble and orchestral music. The instrument usually
provides harmony lines which mostly lie between the range of the violins and
the cellos, but it can also carry the main melody at times, most notably in
a string quartet setting.
THE SOUND OF THE
VIOLA
The
sound of the viola is distinctive for its nasal quality which derives from
the fact that the instrument's soundbox is not sufficiently large to
reproduce faithfully the deeper frequencies which are generated while it is
being played. Far from being a negative aspect, this results in a sound
which is dark, mysterious and full of character. Click below to hear a viola
sound sample:
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